This event is General Admission Standing Room on the Floor, and Reserved in the Balcony.

THE DECEMBERISTS


For over 20 years, The Decemberists have been one of the most original, daring, and thrilling American rock bands. Founded in the year 2000, The Decemberists’ distinctive brand of hyper-literate folk-rock set them apart from the start with the release of their debut EP 5 Songs in 2001. Since then, the band has released nine full-length albums that are unbound by genre and highly ambitious, ranging from Americana-leaning storytelling epics to elements of 70's prog and hard rock.

Now the enduring indie band is back with their first new music in six years, "Burial Ground." Already a fan-favorite after being debuted live last year, their latest single takes the overt fatalism of 2018's I'll Be Your Girl and infuses it with the jangle-pop of The Dentists and dreamy harmonies of The Beach Boys (performed with an assist from The Shins' James Mercer). "'Burial Ground' is in that time-honored popsong tradition, a paean to hanging out in graveyards," says songwriter Colin Meloy. "The melody hook came to me in a dream and I hummed it into my phone on waking. Most dream-songs are bad; this was the exception.”
Links: Official Website | Facebook | Instagram | Twitter | Spotify

RATBOYS


Ratboys have been recording and releasing music for over a decade, but their newest album, The Window, marks the first time they’d ever traveled outside their home base of Chicago to make a record, journeying to the Hall of Justice Recording Studio in Seattle to work with producer Chris Walla. The sessions with Walla (Death Cab for Cutie, Tegan and Sara, Foxing) struck the perfect balance between preparation and experimentation, injecting new life into the band’s style of soft-hearted Midwestern indie rock with an ever so subtle Americana twist. The solidified Ratboys lineup stretched and expanded their vision in the studio, adding unexpected elements and instruments like rototoms, talkboxes, and fiddles. The result is Ratboys’ most sonically diverse record, shifting wildly from track to track. It flexes everything from fuzzy power pop choruses on “Crossed That Line” and “It’s Alive!” to a warm country twang on “Morning Zoo” to mournful folk on the titular track. After more than ten years and four studio albums, The Window finally captures Ratboys as they were always meant to be heard—expansive while still intimate, audacious while still tender—the sound of four friends operating as a single, cohesive unit.
Links: Official Website | Facebook | Instagram | Twitter | Spotify